A sadness spell.

Close the blinds in my room
Blackout curtains drawn against the gray
Morning light greeting the world outside
Last night, the hands of the clock hovered at 2 AM
For four hours straight
I’m on my lonely bedroom bullshit again
Spirit whispers scratch pen to paper
A poem written to no-one and nothing
Save for the safety of locked doors
Shelter found behind four walls
A monument to empty rooms

A recurring theme, for sure
I just need the quiet tonight
With the sound of East Carson
Ringing in my ears for hours
After I punch the clock

The smell of smog and exhaust
Coats my throat
Sticks to the inside of my lungs
I love this city, or I don’t
Or I like it as much as anything else
That passes for home these days

I fear the cold hand of death reaching down to collect
This tired body, sending it on its way
To greet the heart I long ago discarded
Visions of the end
Out here on the pavement, alone
Crushed under under the tread
Of indifferent wheels running
The race to nowhere fast
A casualty cast to concrete canyons
With those mountains so beloved
So far gone to shadow
Of memory and time running low

Pedal to the pavement, anyways
Playing the odds
It’s the end of days
Or so they say
And nobody can think
Of anything better to do.

Falling Asleep to 1990’s marketing Extravaganza Dick Tracy

The plot isn’t much to speak of
Scattered and hard to follow, but the colorful and garish
Sets, they just soothe the edges of my soul
Eyes adjusting to the darkness ahead of rest

I might always live like
A faceless wraith stalking my way
Through the avenues and alleyways
And haunted spots of anytown, USA

I liked that about the movie
How those obviously painted hulking
Concrete and steel monstrosities
Static and frozen, yet still somehow in motion

Could be a metaphor for the underbelly
Of any city, the concrete canyons of New York
The cold labyrinthine streets
Carving the wastes of Chicago

Okay, those are actually the only
Two cities that come to mind
When I think about just where
“The City” might have been based on

Not nearly enough sunshine
For the soulless sun soaked streets of LA
But I’ve always been such a sucker
For a hardboiled detective anyway

I love the two-dimensional villains
Out to get theirs at any cost
All physically deformed and amoral
Impeccably dressed in tailored suits all the same

After a day’s worth of eating shit and air pollution
Cutting two wheels across cold pavement
For a hundred bucks and some exercise
Knees that creak and wrists that ache

I think I understand
Just how busted hands
Could reach for a gun
Trading the violence wrought

On aging bones
Through toil and exhaustion
At the end of every workday
For the violence of

Striking out into the cold
Of this heartless world
To take what’s rightfully yours
Instead of what those hogs at the top say you deserve

So meet me tonight at the docks
Underneath a yellow moon peering
Indifferently though the smog
Down at streets seeped in soul and sorrow below

I’m a sultry songstress
Bruised but unbroken, just like you
Always on the same side
With a loaded .45

Pressed against my thigh
Sticking to circles of streetlight
Until the hour arrives
To slink back into the shadows

Of The City and strike
Out at its black heart
Because in this life
There are hard truths they teach us

Before we can even grow
First and foremost
We come to know
That only suckers fight fair

Untitled

12:42 AM
Drunk, but not too drunk
Just marveling at
The taste of alcohol on my tongue
After five years of
World crushing panic
Every time I tipped a bottle back

Lying in bed
With candles lit
My last great love’s
Scent lingers on the pillow
Long after the echo
Of their laughter
Exited the room

Lingering on
Like cigarette smoke
Permeating hair
Painfully aware
Of toil dragging a body down
Taste the weight of age
Gravity gripping my face
Fear the grave
Lick my lips
Taste a long kiss goodnight
With all the beauty and bitterness
Of mortality languishing on my tongue

Homecomings (Dear Lover)

Work in progress from a larger piece written about a trip this summer.

Dear Lover,
It’s somewhere near one AM. Sam and I are driving through the middle of nowhere Pennsylvania. We are speeding along route 30 between the small town I grew up in, and Philadelphia. We should be arriving in Philadelphia just past one AM. We left North Carolina at nine this morning, stopping a total of three times between our departure and now.

We just left a diner in the heart of York County. The same diner where my friends and I used to spend hours rotting with nothing else to do; smoking cigarettes and drinking coffee after punk and goth shows in the 90’s. Sam was kind enough to indulge our stopping for two hours so I could have a reunion of sorts with some old friends, some of whom I haven’t seen in close to twenty years. We are talking the kids who formed the crux of the formative years and the person I’d grow into. I’ve practically written novels about these people, and here we were; all together again, and all grown up. Our reunion was brief, and joyous. Outside the diner I promised my childhood best friend and first love I wouldn’t wait seventeen years between to see her next time. I told her I’d come meet her partner and her baby.

I meant it too. I fucking miss the east coast. I miss the oldness of it. I miss my roots. If nothing else, I miss how compact everything is. I miss how trips like this aren’t so seemingly impossible out here. Sam and I had to coordinate for a solid six months to make our cross-country meeting happen.

Sam is leaning back in the passenger seat with their eyes closed, resting. I have the new Chelsea Wolfe record playing quietly on the stereo for company. I thought about listening to Sisters Of Mercy or Cock Sparrer for old time’s sake; I have those two bands on my iPod, and they helped define my youth haunting this old highway, but this record is just so fucking good. I’m listening to it again, and composing this letter to you in my head to stay awake.

The houses that line route thirty all have their lights long off. They feel like home to me in this strange way. Oddly frozen in time, as if I could just pull off the highway and settle here, like it was still 1998, and I never left Southern York County. I imagine moving into an old house; trading bitter winter walks to the post office and writing by the fireplace for Pacific Northwest winters drenched in rain. I tell myself I could keep in touch with the outside world by buying records and zines at 3DCD (or whatever record store that opened to take its place, since I’m sure it has long since closed.) again like I was a teenager. At this present moment the idea appeals to me. Funny, because I spent the entirety of my youth scarcely being able to wait until I was old enough to escape this place. Seriously, Melanie and I would talk about it for hours. We planned that shit out. We’d dream about running away. We would hold each other close, reassuring the other one just another year or two until we were eighteen and could escape. We counted down the days until our grand departure from Southern York County, never ever to return.

Now I’m laughing at myself in the late night hours for (however unseriously) briefly entertaining the idea of moving back here.

There was just a storm. For the first time in several days it almost feels cool outside. We have the windows rolled down. The air is thick with humidity and lingering lighting. A flash will crack the sky in jagged streaks every now and then, leaving the clouds red in the afterglow. I love it. I don’t know if I’ve seen a thunderstorm since I left the south. I have missed them terribly. The storm was torrential and massive, nothing like the pervasive Pacific Northwest rain we complained about all winter. I fell in love with you in that constant drizzle and gray. The rain smells differently out here, but I smile at the thought of how that love deepened to where I smell rain, and feel that love even three thousand miles away, in a place that feels light years away from the small world we know.

I don’t know if I miss Olympia right now. I miss you. I miss the sanctuary of my bedroom on my dead end street. It feels weird and indulgent to go on a trip when it feels as if everything around me is crumbling down and the world is a goddamn dumpster fire. Who am I to go running off to meet up with some of my oldest friends on the other side of the country when there is so much work to be done at home?

Over the winter, Sam and I often reflected on the nature of impermanence; just how fleeting and fragile everything feels. The world feels a shade darker than it did a year ago. In that regard, two old friends on a road trip makes all the sense in the world. Tomorrow we will wake up in Philadelphia and wind our way through crowded city streets to meet up with one of our other oldest friends. The three of us shared the stroke of luck to meet in this city almost exactly twelve years ago. We managed to forge the kind of friendships that survive the pitfalls and anxieties of old age.

We will sit on a rooftop overlooking the city that brought us all together so long ago. We’ll laugh at the follies of youth and be thankful for having left them behind. We will give thanks to for resilience and adaptability. We will give thanks for everything we ever outran. We will give thanks for a future that may be fraught with incalculable fear, but is still yet to be written.

I fell in love and it scrambled my brain.

So I haven’t been writing as much. Still grinding away at this novel, but aside from that I mostly try and sit calmly with the present. For whatever reason, writing about the present has always proven difficult for me. It’s like I have a hard time articulating the significance of an event until after it’s time as has passed and I’ve had time to reflect. Maybe that’s why my first book is about a life lived two decades ago. I can tell you with absolute clarity what it was all for, and what it all meant.

The present… The Present feels jittery and electric, like I want to do a million things at once. Maybe that’s the strong cup of green tea and chronic lack of sleep talking though. Or maybe too much time researching bullshit on the internet is making me foggy before my years. I don’t know. I can’t think clearly right now. Maybe I should just be outside with my dog (The real love of my life.)

What I’m trying to articulate here, is what a joy it is to fall in love. I haven’t been in love in some years. Opening my heart to another has never been something I’ve done lightly, and rarely something I’ve given myself to fully. If we’re being real, I’ll one part blame on being socialized in a culture of toxic masculinity, one part mental illness and trauma, and the last part just kind of feeling like a whole lot of the people I encounter aren’t worth my vulnerability and authenticity anyway. People can be disingenuous and dishonorable shitbags. I see it on most of them, and keep my distance. People are also flawed and wounded and wonderful and most of us are doing the best we can. It’s the ones that use their hardships as an excuse to never grow or change that I can’t abide to share my time with.

Or people can’t handle my authenticity or vulnerability. That’s possible too. I think I encounter that one a lot. I don’t know. It’s difficult to be objective about yourself sometimes. I am more than aware of myself as a “difficult person”. I am painfully aware that I’m unlucky enough to experience the terrifying and joyous journey of life through a certain lens, and the world I see through that lens doesn’t always match with the world the people I love are seeing.

That is to say, trauma and mental illness done fucked up my perception of reality. I won’t make any apologies for how I experience the world, not like I wanna experience it in this way either. I’m real sorry for the vital connections it’s caused me to break over the years, most of them anyway.

Anyway… Love poem in progress. I think we’ll title it Janky Love Poem #1 because I’m feeling real sweet and vulnerable and clumsy right now. I don’t know if I’ve ever written something about a relationship while I was still in it.

Falling in
Falling away
From an idea of love cheapened
With plastic sentiment
Filled with impossible promises
Of a saccharine soaked forever
And sepia toned happily ever after
Accepting each imperfect
And impermanent moment

Making monuments from ruins
An idea of love
Falling like walls
Cracked open
Like precious stones
Once hidden in rubble

Falling in love like
Tearing lonely cynicism to shreds
For gentle whispers of
How the world is still worth fighting for
Four simple words to sink in
“Nihilism is so stupid”
It’s true.

That’s all. I’m going outside. Maybe I’ll work on this more later. Maybe I’ll leave it as it is, a clumsily sweet monument to the first tenuous steps of falling in love. Only time will tell. For now, I will enjoy this moment.

Thank you for reading. ❤

Punks is sharks.

Adrift and sinking, out where the horizon unfolds
Into rows of waves crashing down
Our lifeboats are full of holes
And someone threw away the oars
Our boats are taking on water now
As the lives and loves We forged sink below…

I just want a metaphor
For how we’re maybe out of our depth here
Where the water is deep and dark
Maybe we’re out of our depth here
And way out here there’s sharks.

Maps marked with blurred lines
and the last of a sky so blue
Just as summer gave way to fall
“You have to breathe. You have to breathe.”
Swallowing mouthfuls of air where the traffic snarls
Marveling at just how fucking ugly
Of a picture this world will paint you
Right as it runs you through

We’re out of our depth here
With blurred lines inked indelibly into skin
Too tender, too thin
Blurring the line again
Always between the intimate
And the violent
We’re out of our depth here
Because nothing prepared us for trespasses like this
Or taught us how to love without fear

The hour is now late
Ashore, annihilation comes home to call
With a knock knock knock at the door
Wolves hunger at the windows
Sharks circle the shallows
Murderers who murder each other
Set loose to stalk the halls

New zine out, old zine reprinted.

zinesToday is the hardest I’ve worked in a long time, but I’m really proud of what came of it. I’m really proud of this writing too. Despite some revision and printing disasters today, I will have some zines with me tonight for my set at Invokation if you’re in Olympia. I don’t have many, so grab them quick. Thanks to Pocket for the indispensable proofreading, technical, and assembly help. They even took this pretty photo you’re looking at. Total lifesaver.

My new zine, titled Downpour and Drought is a collection of writing spanning from fall, 2015 Spring, 2017.  These were some dizzyingly hard times.   They made for some of the best writing that’s come out of me yet though, and I’m thankful for that.

The second zine I have available is a short poetry zine titled We Who Fell In Love With The Sea.  This zine is a few years old now, but I did an incredibly limited run of it the first time around.  I’m really proud of this material too.

Out of town friends, I’d love to mail you some zines, but it might be a minute while I figure out sustainable printing since it’s a new era where all the copy scams are dead.  On that note, got printing and distribution advice for me?  Please, get in touch.  I feel like I’m groping in the goddamn dark sometimes.